Market St, Melbourne
Panasonic G9
Leica 12-60mm f2.8-4
Check out Candid 223
Melbourne Street Photography 101 is a black and white photo blog to encompass the candid photography in streets of Melbourne. Street people photography
It is pretty cheap so the queue is long.
Victoria parade
Sony A7RIV
FE 135mm f1.8 GM
Check out Candid 221 and FACE OFF
Lygon Street pub corner
Rather bustling atmosphere in this dying part of town
Sony A7RV
FE 14mm f1.8 GM
I come across this argument in a local street photography forum "Edit or no edit"
"If you
post process, it doesn't mean that you haven't learned the equipment or your
style. In fact some who post process know their equipment intimately knowing
very well the bounds of the tools available to them.
Also, post
processing predates digital by a long way. Are those who dodged and burned in
the darkroom not real photographers, or photographers with extra skill sets?
If you
take what you can get out of in camera jpeg as a strict constraint, that means
that you have accepted the choices your camera's engineers made for
prioritising highlights, shadows, saturation etc. Even if you're a 100% manual
shooter, you have accepted that you're going to let the camera make a lot of
decisions on processing for you.
If you
shoot raw and post process, you are no less of a photographer because of it. If
you choose an in camera preset or film sim, again you have accepted someone
else's choices for final processing.
If you
have files from 2008 in low light, they look noisy because digital cameras
sucked at low light in 2008. If you feed those old photos into software in 2023
that can recognise sensor noise and correct it with a high degree of accuracy,
it doesn't mean that you didn't know how to use a camera in 2008. You may have
just accepted noise as a trade-off for a reasonable exposure.
If you
have a camera released this year and push iso in a difficult situation to get
the shot rather than not, knowing that software in 2023 can correct sensor
noise really well, it doesn't mean that you didn't learn your equipment. It
could just mean that you know enough to get the shot rather than not."
Check out Candid 216 and FACE OFF
It is a good location for street snaps!
Directional lighting always helps with mood
Sony A7RV
FE 135mm f1.8 GM
Check out Candid 215
I attempted 135mm fixed focal length to do a trial candid shoot in street. Quite a different perspective. The folks in camera club often told me not to use telephoto lenses in street photography.
Sony A7RV
FE 135mm f1.8 GM
Check out Candid 213
Along the Sunshine Ave walk, this place is dangerous to visit at night
Sony A7RV
FE 14mm f1.8 GM
Check out Candid 210
Another delivery driver in the dying business
Fitzroy Street, Melbourne
Sony A7RV
FE 14mm f1.8 GM
Check out Candid 209
I used to love sharp images. As I grow older, I don't mind motion blur that much anymore. After all, I don't sell the photos anyway.
Sony A7RIV
FE 24mm f1.4 GM
Check out Candid 206
It seems mother and daughter going on shopping.
Fitzroy
Sony A7RIV
FE 24mm f1.4 GM
Check out Candid 205
and FACE OFF
I recalled this chap tried to ruin my shot of the mural on the day. Ha
Sony A7RVI
FE 24mm f1.4 GM
Check out Candid 205
The light was such a spot on moment.
Brunswick St
Sony A7RV
FE 14mm f1.8 GM
Check out Candid 204 and My corner of world
A candid street shot when I joined the party in Birrarung Marr
Pentax K20D
FE 31mm f1.8 limited
Check out Candid 200
and Face OFF
An old photo from archive. I remembered the moment quite vividly.
Pentax K10D
FA 43mm f1.8 limited
Check out Candid 199