After testing out most focal lengths for street photography, I still prefer 24mm the best. Ideally it would be 35mm that does the best in the past experiences. I just have not invested in a 35mm prime anymore.
Sony A7RIV
FE 24mm f1.4 GM
Check out Candid 253
Lygon Street pub corner
Rather bustling atmosphere in this dying part of town
Sony A7RV
FE 14mm f1.8 GM
I come across this argument in a local street photography forum "Edit or no edit"
"If you
post process, it doesn't mean that you haven't learned the equipment or your
style. In fact some who post process know their equipment intimately knowing
very well the bounds of the tools available to them.
Also, post
processing predates digital by a long way. Are those who dodged and burned in
the darkroom not real photographers, or photographers with extra skill sets?
If you
take what you can get out of in camera jpeg as a strict constraint, that means
that you have accepted the choices your camera's engineers made for
prioritising highlights, shadows, saturation etc. Even if you're a 100% manual
shooter, you have accepted that you're going to let the camera make a lot of
decisions on processing for you.
If you
shoot raw and post process, you are no less of a photographer because of it. If
you choose an in camera preset or film sim, again you have accepted someone
else's choices for final processing.
If you
have files from 2008 in low light, they look noisy because digital cameras
sucked at low light in 2008. If you feed those old photos into software in 2023
that can recognise sensor noise and correct it with a high degree of accuracy,
it doesn't mean that you didn't know how to use a camera in 2008. You may have
just accepted noise as a trade-off for a reasonable exposure.
If you
have a camera released this year and push iso in a difficult situation to get
the shot rather than not, knowing that software in 2023 can correct sensor
noise really well, it doesn't mean that you didn't learn your equipment. It
could just mean that you know enough to get the shot rather than not."
Check out Candid 216 and FACE OFF
I attempted 135mm fixed focal length to do a trial candid shoot in street. Quite a different perspective. The folks in camera club often told me not to use telephoto lenses in street photography.
Sony A7RV
FE 135mm f1.8 GM
Check out Candid 213
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The usual over-priced alley snap. A little twist with motion blur
I have sided with Instagram style street shots that do not show people's faces clearly. This is actually considered as a taboo in street photography. But I notice every wrong style is now acceptable - thanks to smart phone prevalence.
Sony A7RIV
Laowa 9mm f5.6
Check out Candid 196
Nike fan for sure. I am testing out ultra-wide angle lens for street photography. It is too hard to use and too many distracting details are included in the frame unnecessarily.
Prahan, Melbourne
Sony A7RIV
Laowa 9mm f5.6
Check out Candid 113
He is quite charming. There are a lot of ladies screaming in the audience.
Some tell me street photography is easy. But taking good street photography is very hard.
Federation Square, Melbourne
Canon 5D
EF 135mm f2 L
This is linking to Black and White Photo Hub
